Monday, 10 March 2014

2010 Retrospective - Black & Blue



There I sit, cross legged on the hard floor. The other blue-belts sit in a line on either side of me. There’s not too many of us grading this year, only four, and I wonder how many of us will pass. We’ve already done our forms and kicking drills, and the impassive faces of the instructors give nothing away. We’re up to the sparring now, the black belts are just giving us a demo. Damn if they’re not fast, and precise too. Feet and fists are flying everywhere, and they’re not even using protective gear. That song about Kung Fu fighting springs to mind. Somehow though, I don’t think anyone would appreciate it if I started singing. Not only are we supposed to be silent and attentive, but this is Tae Kwon Do after all.  “Goman!” The blacks still, instantly neutral again. They bow, and move out of the ring. “P. Bennet.” The first of us blues are called up. He runs into the ring and faces his opponent, a black belt. They bow at the command of the instructors, then begin. Bennet isn’t fighting with anywhere near the expertise of the blacks, but they seem evenly matched. It’s obvious that the black-belt is holding back. One of the instructors ends the match, and the combatants face each other and bow. The head instructor rises, a 6th Dan black-belt, and with a single word delivers the verdict. “Pass.”

Bennet sits down, happily relieved. The next name is called. “D. Anderson.” That’s me. I shout out to make sure they know I’m here, and jump to my feet. I’m still hot from the kicking, and my short black hair is plastered to my head. Settling my chest-pad, I run to the centre of the ring. My black-belt opponent steps forward. It’s Michael Donovan. Great. The guy hates me, and he’s never afraid to show it. He takes his place opposite me, glaring all the while.

“Cha-Riot!” We snap to attention, feet together, clenched fists at our sides.
“Kyong-Ne.” We bow from the waist, and I can feel his heated stare boring into the top of my head.
“Sparring stance… Junbi!” Simultaneously we drop, left legs sliding back, hands up to protect our face as we both shout a deafening ‘Yut!’ Mine is embarrassingly shrill.
“Shi-jak!” So it begins. Instinctively I jump backwards, and his foot whistles past my face. I scuttle back again, putting some distance between us. We circle each other, feinting and weaving, sounding out each other’s defenses.  A roundhouse here, a jumping front kick there. Try as I might, I can hardly touch him, but my chest is aching from all the hits he’s scored on me. I throw myself into a slipping front kick, but he’s too fast. He’s already gone as my foot cleaves the air, launching an attack of his own. He spins into an inside kick, and I can’t get out of the way in time. The impact of his foot deadens my arm as I throw it up to block him. He snarls as I drive my other fist into his chest pad. I jump back again, but I can barely lift my arm to protect my head. Sweat drips down my entire body, stinging my eyes and making my feet slip on the polished floor. He rushes towards me, and I seize my only opportunity. I step to the side, and in one fluid motion my knee comes up as my body turns over and- THWACK! A stinging blow to his rump, my face creasing in savage glee. His face contorts in rage and… What? Sorrow? He drops back into sparring stance, his face composed.

But I heard it, just before his calm veneer snapped back into place, a tortured whisper: “I loved you…”

What…the… f- The air rushes out of me as his foot slips through my slackened defenses and slams into my chest, hard enough to lift me into the air. I land flat on my back, gasping for air, my chest throbbing. The voice of the head instructor cuts through the air like a whip. “GOMAN!” I manage to stagger to my feet and shuffle back to the starting position. I’m already hurting all over.

Here we stand, opposite each other again. A blue and a black. Black and blue. He looks tired, and a little sad. I just feel tired. My chest aches from where he kicked me, and my arm is numb. I doubt that I got more than three good hits on him, no way that I’ve won. Still, his butt’s probably smarting something fierce. The face he’s wearing, almost a pout by now, is achingly familiar. Now, where have I seen that before? I’m wracking my brains, but my reverie is broken. The head instructor has stood, and is talking to us.
“Michael Donovan, you are a 2nd Dan black belt, you know the tenets of Tae Kwon Do. Yet this match showed a disappointing lack of restraint. Nevertheless; this,” he points to me. “…1st blue belt, managed to hold out against you, far longer than we would have expected. Thus,” and now he addresses me directly. “Donna Anderson, you have passed. Congratulations.”

The parents sitting at the back of the hall burst into applause. My legs feel weak, but that might just be from exhaustion. Michael storms off, and I finally remember why that expression is so familiar. It’s a spitting image of the one he wore when I broke up with him. Way to hold a grudge, man. That was so long ago. Oh well. I guess some guys just can’t handle rejection.

Saturday, 8 March 2014

The little old man who lived at the end of the lane in the small house that was very run down but surprisingly clean

Picture, if you will, a little small town lane. It is beset on both sides by houses of various sizes that the city folk would invariably call 'cottages', despite any technicalities associated with such a label, and would proceed to exclaim over how 'positively quaint' they are. This will, of course, not endear them to the locals at all, but they will utterly fail to notice this and take the rather stiff smiles of said locals in stride as that refreshing brand of 'country friendliness'. These city folk who seems to utterly condescending would never notice the house at the very end of the lane, for it is small (closer to actual cottage proportions) and quite run down. It is also quite grey. As such, in no way does it conform to the pastoral rustic idyll that the city folk have deigned to visit the countryside to see, and thus they ignore it. But these city folk are as unimportant to this story as the house at the end of the lane is to them, and thus let us all promptly forget them. Quite conversely, the house at the lane is very important to us, for it is the abode of the man about whom this story has been written. For a clue as to how important both the house and the man are to us, notice that both of them have been mentioned in the title (for future reference, this can be an significant indicator as to the importance of things). 

The man who lives in the house of the end of the name has a name, but it is not very critical to the telling of this story. However, for expediency, for your own comfort and titillation, and to aid in differentiating him from the other persons that lived on the lane, let us call him Reginald Whittlesby II (that is, the second, for he was named after his father), or Reg for the sake of simplicity. He is is a small man, bent over by the weight of his life and by his threadbare grey coat. He has a bald head punctuated mistily by a few threads of grey hair and the occasional grey liver spot, grey fingernails at the ends of grey hands, and watery grey eyes. In fact, Reg Whittlesby is almost entirely grey, from his lips to his hands to his grey felt shoes. He even walks and talks in a manner that implies grey, a show, waffly shuffling and a slight soft wheezing. Similarly, his cottage at the end of the lane is grey also. It has grey shingles atop grey brick walls, and grey curtains hang either side of the grey door. In the village wherein this lane resides, which is resplendent in emerald greens and ruby reds, it would stand out were it not so ugly and decrepit and thus ignored universally as one tries to ignore a quietly disgusting relative (such as an aged uncle with a propensity for picking his nose). But now we must briefly depart from the man (Reginald, not the uncle from whom we shall be departing permanently) and his house, and consider the other denizens of this country lane. 

In a slightly sprawling salmon-pink house midway down the lane, with bright purple curtains and terracotta-red roof tiles lives Annabelle Jocelyn Pumphrey, who does not know how to decorate but who very much likes colours. She is currently in the kitchen, which surrounds the bright yellow back door. It is quite a large kitchen, as it was built to accommodate quite a large woman. Mrs Pumphrey loves baking, and must often sample her cooking to ensure it is of the highest quality and quantity so that it may fulfil her second love, which is feeding people. She is cheerily rotund, and is hardworking and efficient in both her chores and in gaily gossiping about the townsfolk. Currently she is mixing up a giant loaf or five of her best banana bread, which she intends to take to the Sunday Church Picnic, for Father Frombles has been looking rather peaky and thin of late, and her banana bread does wonders for both the tummy and the complexion. Being able to multitask quite comfortably, she is chatting to her friend Miss Matilda Heathery, who is currently leaning on the kitchen counter. Miss Tilly Heathery, despite being half the age, is just as cheerily florid and bosomy as Annabelle, and just as enamoured of sweets and gossip. Pursuant to our story, their conversation is about our Mr Reginald, and features a large number of dropped 'haitches'.

'Ere now, 'ave you ever been inside 'is 'ouse? It's amazing it is. Not a single mote of dust or cobweb to be seen. You'd think it would be all dirty inside, considerin the outside state of it and 'im bein a gent an' all, but there's not a single speck inside that 'ouse, I'm tellin you. I don't know 'ow 'e does it, 'e moves so slowly all the time. An everything in there is grey it is, just like 'im. Like the 'ole place has been left too long in the washbasin an 'as all just faded out. 

An 'e doesn't hardly eat anything! Why, I 'ad 'im over for tea with old Mrs Buttershop (you know 'ow we've been trying to fix them up, for years now it seems like), an despite me putting out teacakes an beef cucumber sammiches and God knows what else all 'e et was a single sugar biscuit! 'E never smiles, and 'e hardly ever speaks, an that only a whisper. It does me 'ead in, I don't mind tellin you!

At this very moment, completely unaware that anyone at all is talking about him, Reginald is shuffling about his grey decrepit living room, with a limp grey duster clutched in one limp grey hand. On closer inspection, if anyone dared to do a closer inspection of such a thing in such a place, one would find that this duster is, or once was, half an underpant. His eyes, the only part of him that is moving quicker than his known shuffle, dart from corner to corner, earnestly searching. He polishes each surface in the room, resulting in the uncanny cleanliness spoke of earlier by our Mrs Pumphrey, all the while searching, searching. At last, with a small cackle that would certainly surprise the good mistresses in their large kitchens, he spies the makings of a spiderweb. A single strand of grey, from which hangs a rather large and enterprising spider (whose name I'm sure neither you nor I could pronounce, were we even to know it) that has delightfully decided to settle here after observing the plentiful real estate through the kitchen window (which it had some considerable difficulty navigating, I can tell you). With uncharacteristic swiftness Mr Whittlesby snatches the poor unsuspecting spider from its line, grey lips peeling back to reveal a startling mouthful of strong white teeth. He crunches down on the arachnid with unconcealed relish, in much the same way that the kiddlins of the lane devour their hard candies, until only one erstwhile orange-striped leg is left hanging outside his mouth like a smear of iced lolly left behind on his lip. His vividly crimson tongue, the only part of him that retains colour (perhaps through its lack of use) flicks out and scoops up the leg. Mr Reginald Whittlesby II, or whatever his name is, who lives in the little run-down cottage at the end of the lane, smiles a rare toothy grin, and then sets about his cleaning once again. 

From the Past

Hey. It's you. 

You're back.


It's been a while.


How are you going? What's been happening in your life since you've been gone? Are you studying? Working now? Have you achieved what you've wanted to achieve? Have you found what you're looking for? Tell me everything, I want to know what you've been doing with yourself. 

Do you remember me? I hope so, surely you would. We were together for a while, after all. How do I look, after all these years? I'm older, I suppose. Perhaps I look small and petty to you now. Maybe I'm old, and frumpy, and you're glad I wasn't this ugly when you were around. Or maybe I've had some work done, maybe I'm looking better than ever. Maybe I look fresh, and young, revitalised, and maybe you're even a little jealous of whoever I'm with now, wishing I'd looked this good when you had me. Or do I look no different at all? Could I be just as you remember me, forever frozen in your memory? What do you see in me now? 

Does it matter? You're here now, and we can't change the past. 


Why are you here? Why did you come back? Did you miss me? Did you long to see me, to touch and smell me? Maybe I am so dear to you that you could no longer stay away, no matter the other events of your life, and you just had to see me. I think I would be flattered if that was the case. But maybe you came to gloat. Maybe you're here to show me how big and bad you are now, how distinguished and larger than life? Am I to cling to your knee and suck up stray scraps of reflected glory? Am I so small to you now? Or perhaps you came back out of some sense of duty, and you really don't want to be here at all, so everything you do or say is tinged with sullen resentment. Did your friends tell you about me? Did they say I needed you, and you should visit, even if you don't like it? 

Does it matter? You're back now, for a time.


Are you here to stay? Are you giving me a second chance, a shot at something new? We could try again, make something beautiful of us this time. Something more beautiful than before, perhaps. Or maybe it is I that is letting you in, and you are the one twisting your cap in your hands. You'll try harder if this is the case, no doubt. More likely this is just a rare visit. Not many return to me, after all. You won't stay, and pretty soon I'll be grooming someone else, looking for someone else. 

Does it matter? There are always others.


Who were we to each other, all those years ago? I've had so many, it can be hard to remember. Were you one of the special ones? Perhaps I piled you with with gifts and honours, perhaps I slaved to give you the very best of myself and make sure you had everything you needed. Perhaps we loved each other, and you cried when you had to leave. Or perhaps you were different, a wild one, one that I could not control nor fix. Did you break me? Did I give up to soon, and send you away rather than trying a bit harder to make it work? But maybe it wasn't like that. Maybe you found someone else, and left me for them. It doesn't always work out, and that's okay. We're always learning. Perhaps you didn't feel strongly one way or another about me? You didn't love me enough to make it wonderful, or hate me enough to make it awful. Perhaps we both just stuck it out from habit, and we ended with no feelings at all. Or maybe you hated me, but you couldn't escape. Maybe I gave you the worst years of your life, maybe you hated me and were so relieved to finally be free of me. 

You who was once my student, who are you now? Did I prepare you well for the rigours of life, or only that I was not the one to do so?
 
Did I teach you well? Did I matter?
 
Written for a friend. Seed: High School.

Thursday, 6 March 2014

Devoured

Tonight's the night. I can feel it, the anticipation crackling in the air like static. I've been waiting so long for this, waiting for you to touch me, for your warmth to dispel the chill at my core. I've wanted you ever since you picked me up, ever since you seduced me away from all my friends. The door opens and you come in, utterly confident as always. You sweep your hair back from your face, jet black locks touched but lightly with glowing silver. You scan the room, your piercing blue eyes glinting in the last dusky rays of the setting sun. You see me, and a wolfish grin creases your face. We both know that I am yours, utterly and completely. You walk towards me, smugly making me wait on you, trying not to rush towards you. As you get closer I can see the sheen of sweat on your brow, smell the musky scent of you washing over me. You cup my face gently in your strong fingers, eyes alight with lustful desire. "I want you," you whisper, your voice cracking and husky. My flesh tingles where you touch me, prickling heat spreading like a fire through my body. "But not yet." You pick me up bodily, making me shiver, before setting me down on the kitchen bench. I can feel the cold gripping me again in your absence, and I long for you to touch me again. Your beautiful eyes never waver from me as you reach up and unbutton your shirt, peeling the thin fabric from your body, taut muscles shifting under your golden skin. I'm starting to sweat, the heat of your proximity driving me insane. You lean over me once again, sliding one long finger around my curves. You smile, and then plunge a finger inside me. My entire body jerks, shocked at this sudden thrilling intrusion. You slide your finger out, leaving a void in me, and slowly your gorgeous mouth closes over it. "I love the way you taste." I can hear the hunger in your voice. Suddenly your mouth is on me, rough lips caressing every surface, white teeth nipping at me gently. I feel your hot breath on me, making me quiver with anticipation, needing you more than anything I've ever needed before. Then your tongue is inside me, hot and wet, invading my very core, and I am lost. I writhe and melt under your mouth, loving every second of your attention. My sweet juices gush into your mouth, and you drink them down, questing ever further inside me, devouring me utterly. I am gone, my very essence has melted away until there is nothing left, nothing left but you.

You lick the last of me off the tub, before putting it conscientiously into the recycling. I know that you've had many puddings before this, and will have many after, but I am still happy. For this glorious day, you had only me.

Friday, 8 November 2013

Georgia Peach - Chapter 1

Well, this is boring.

There's about seven cars lined up on the road in front of me. God only knows how many behind. Two chunky men in khaki uniforms are interrogating the first in line, whilst two more with big guns keep watch from a concrete tower.  Apparently things have gotten worse since I last visited the world. Time was you could breeze through a border patrol, driving to San Diego to Atlanta without stopping for anything more than gas and a burger. Now it seems you can't hardly hop the line between two counties without some self-important local militia getting in your face about something. Hence the traffic jam. This kind of traffic would be nothing like this in the city, I know that, but here in the country with nothing but cotton fields as the eye can see, well, this surely is a crowd. My ride is the nicest on the road, the cleanest, and best kept. Some of these others are falling apart so bad I'm surprised they're still running. But they are, just like the people inside them. Something must have happened back west, and for some reason they think Georgia's gotta be better than wherever they were. Hell, maybe it is.

I pull a cigarette from my pocket and light up, a small red flame crackling between thumb and forefinger. Took practice, that one did. First time I tried to use the thing I burned my whole damn hand. Still, it's a handy skill to have, time to time. I breathe deep, and let out the smoke with a sigh that sends it curling over Lucifer's dash. I'd let him decide on shape this time, so of course he's some kind of muscle car, black and brooding. Doesn't make a difference to me what he looks like, he'd still ride the same and hell would freeze over before you'd outrun him. Still, he's a proud beast, prefers big scary cars to the zippy little ones. I guess I get it, and to his credit have a car that's one of a kind does help with image. The leather seats get bloody hot in the sun though. Black'll do that, and I've never seen Lucifer wear anything else. I'm not sure he can. So black it is, and the heat of the sun radiates out from every surface like a furnace. You'd think the heat wouldn't bother me, all things considered, but unfortunately that wasn't in the perks package. 

Lucifer growls, deep and rough, shifting slightly on his wheels. Poor guy. He started out as one of those hellsteeds hundreds of years ago, all flying mane and blood red eyes, and he's had a hard time adjusting to a world where almost nobody rides horses anymore. Cars aren't supposed to prance when they get restless. Hell, cars aren't even supposed to get restless. The idiot behind me jumps on his horn, making Lucifer quiver, so I reach out and pat his dash until he subsides. Groping for the lever, I push my seat back and put my feet up. At the rate these militia idiots are going, it might take a while. After what seems like an age the line shifts a little, and Lucifer jumps ahead with a bassy roar, only to stop a half second later with a sound as close as he's ever come to a whimper. I'll really have to let him go for it when we hit open road. As long as it's empty. I prefer to keep a low profile, and if anyone saw what he was really capable, word would spread around, and that simply doesn't bear thinking about.

There's a manila folder on the passenger seat. I pick it up and flick through the contents, more for something to do than any need to peruse the contents. I'd taken a detailed read this morning, not that there's much in there. The target ain't bad looking, either, not one bit. Ms Abigail Mercer Peach, 26, brown hair and eyes and a killer smile. No height, but I bet she's tall too. God damn. Born and raised in the state of Georgia, and the humour isn't wasted on me. A while ago I would have said someone up there has a sense of humour, but but that was before I learned that the only thing up there is a vengeful fuck and his armies. Still, you take humour where you can get it, and I just happen to be hunting for a bona fide Georgia Peach. Yeah... bet she's never heard that one before. 

Another age, and one of the goons finally swaggers over to my window. He shouldn't, he can't pull it of and it makes him look like a puffed-up idiot. Far be it for me to tell him how to walk, after all, I'm trying to keep a low profile. I roll down my window and smile politely, taking my feet from the dash. It pays to be cordial. The escaping cloud of smoke washes over him, his face noticeably paling above his sweat-drenched collar. Shouldn't be a new experience for him, but I suppose no matter how many tobacco clouds or hotboxes you stick your head into, it takes a special kind of man not to flinch when catching a face full of fire and brimstone. I got little sympathy though, since I've been sitting for the better part of an hour under the sweltering southern sun. They say to dress for the weather, but I have to stick to uniform. The mark never takes you seriously if you're in a hawaiian shirt and board shorts, trust me. It makes the whole job a lot easier if you project the right image, so I'm stewing here all in leather. Black leather. And boots. 

"You got business in Georgia?"

Well, yeah. Of course I got business in Georgia, dumbass. Else why would I be here, waiting in the sun? It sure as hell isn't so I can ogle your cotton fields. It doesn't pay to antagonise meatheads, though, so I keep my peace and answer him politely as I can, some bullshit about seeing dear old granny and the rest of the screaming bunch. The miliatiaman squints at me, reaching up to scratch under his hat. I don't bother reading the shield on it. There are so many groups these days, and it'd take a far greater and more boring mind than mine to keep track of them all. Mostly they're made up of guys like these. They mean well, I suppose, and want to protect their families. They just annoy the shit out of me. I can see the wheels ticking over in this one's head, and I see the exact moment he decides not to like the look of me. He puffs his chest and rests his hand casually on the pistol in his belt. Shit. I think I might be starting to get a headache.


"I'm going to have to search your vehicle now sir. You can never be too safe, especially these days. Why don't you step on out of your fancy car there?"

Not a fucking chance in hell. No way am I going to let a dipshit like you put greasy fingers on Lucifer's seats. Again I hold my tongue, because if this belligerent sack of flesh actually pops the hood, or looks in the back, not one of us his going to have a good day. Least of all him, because Lucifer isn't a car despite his appearance, and his 'engine' is full of things that aren't pistons and a radiator. The back isn't any good either, due to the body Lucifer's slowly digesting. So I put on my best smile, which is damn good, and back it up with a touch of true devilish charm. You know, you're doing such a good job, protecting the fine state of Georgia, and all of its inhabitants surely do thank you from the bottom of their hearts, bless them. I snag the plastic handle of a sixpack with my finger. After all, it's such thirsty work, and don't you and your fine pals just deserve a little break? As it happens, I didn't need to give him the alcohol. He would have done anything I said, all because of my silver tongue. He might have wondered about it when he got his wits back, and that's why I gave him the beer. He's less likely to think about it if there's justification. 

Lucifer rolls over the state line into Decatur County, Georgia. We speed up down State Route 253 until there's no-one in sight. With my feet back up on the dash I slip the magnum back into its holster from where I'd been hiding it behind the door. It's a bitch of a thing to use, and I hate doing it, but it gets the job done and no-one argues once the dust has settled. Plus, it's scary looking, and my job is a lot easier with the right image. You see, I'm the devil.

Inspired by a friend. Seed: The Devil went down to Georgia, but why?